The choices we make ultimately make us who we are, and that idea feels particularly important in this moment.
Costume design by Tracy Christensen sticks to traditional interpretations of these characters but adds touches of creative whimsy.īeneath all the singing and dancing and fun, one of the key themes that distinguishes this telling of Robin Hood is the idea that heroes are not born but made. Rui Rita is effective in his first PlayMakers outing as lighting director, helping our imaginations to fill in the space. Scenic design by PlayMakers regular McKay Coble features multiple levels, with fireman poles and hangman nooses to give the cast creative ways to move around. Under the keen eye of director Jessie Austrian, making her PlayMakers debut, the creative team clearly has had a blast. His version doesn't stray too far from other, recent incarnations I noticed references to the 1991 Kevin Costner vehicle Robin Hood: Prince of Thieves as well as to the classic 1973 Disney animated version. Playwright Ken Ludwig, who has received two Tony nominations for his classic play Lend Me a Tenor, brings a sense of humor to this old story. In truth, a full-fledged musical treatment might tighten up some dragging moments in the second act. Herrick won a Tony Award with his band The Red Clay Ramblers in 1993 for the music for Fool Moon, and he brings the medieval minstrel back to life. The production is highlighted by brief moments of song and dance, frequently led by Much the Miller, played by Jack Herrick, who is also the composer and lyricist for the production. Though this show is not considered a musical, the music adds a great deal. That purpose is served more by the character of Doerwynn (a delightful April Mae Davis), who plays a more significant role than in other versions of this story.įriar Tuck serves as the evening's balladeer and emcee, and he leads with an opening number that highlights the rules of theatre etiquette to humorous effect, setting the mood for the evening to come. Maid Marian (the lovely Christine Mirzayan) is present, though not necessarily the damsel in distress one might expect. They work to protect those oppressed by high taxes and brutal force under the rule of the tyrant Prince John (a comedic Ray Dooley) and his not-so-merry men in the characters of the Sheriff of Nottingham (Tristan Parks) and Sir Guy (Jeffrey Blair Cornell). In this production, Robin Hood (a capable Joshua David Robinson) is joined as always by his band of merry men, including Little John (Rishan Dhamija) and Friar Tuck (standout Dan Toot). Gillings Center for Dramatic Art through September 30. PlayMakers Repertory Company at UNC has taken on a contemporary reworking of this legend in Ken Ludwig's Sherwood: The Adventures of Robin Hood, currently playing at the Joan H. No matter what form his story takes, the heroism of Robin Hood and his claim that "an injury to one is a wrong done to all" ring true. Though scholars are unsure of the legend's origin, a recent survey by London's Royal Mail found that Robin Hood was the person, past or present, whom British school children most wished to meet.
#ROBIN HOOD THE LEGEND OF SHERWOOD CHARACTERS FREE#
:) So, a lot of tactical and strategical knowledge is needed to free the land from the evil Sheriff of Nottingham.The story of Robin Hood has been retold a number of times in the past few decades. Robin Hood is much like other team-based rts - as Desperados or Commandos - just with the trashy-touch of the old Robin Hood movies. If you don't want to kill people, make them unconscious and tie them up with Stutely, for example.
All six characters have different special abilities and weapons. You have to kill enemies, make them drunk (Friar Tuck's special ability) and investigate the area. You can control up to six different characters with different trades in a mixture of realtime-action, strategy and sneaking. Robin Hood is a teambased realtime-strategy game from the developers of Desperados. Lead the men in green pants through the Sherwood Forrest and fight the evil Sheriff of Nottingham.
0 kommentar(er)
